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Rilo Kiley flirts into spectators' hearts

Lauren Weiner

Issue date: 10/11/07 Section: A & E
The first opening act, Art in Manila, sounded more like Rilo's first two albums, while the middle act, Grand Ole Party, sounded more like new Rilo. The former's songs were slow-growing tunes that end well but start off so slow that interest is lost. It was a little disappointing, as it should be the opening band's job to set the tone for the night.

Grand Ole Party was surprisingly exciting after a somewhat down first act. Gundred's powerful, jazzy voice spat out fast lyrics while her male guitarist and bassist backed her up with "oohs" and "ahhs." Although they were more or less forced to remain stationary on stage, as Gundred also plays drums as she sings, they were active enough to be enjoyable. The only negative aspect was the fact that Gundred's face was hidden behind her cymbals for the entire show. The band's new record was produced by Rilo's Sennett, and their performance provided an excellent segue into the headliner's set.

Overall, the show was amazing. The connection between Lewis and Sennett and their audience was excellent and the crowd's energy was contagious. While some fans might not enjoy the funky new sound, the cult-like following Rilo Kiley enjoys continues.
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